Holy drama unfolds: Hollywood’s Oppenheimer sparks controversy with sacred script sex scene (video)

The newest Hollywood movie Oppenheimer has been accused of being blasphemous after a intercourse scene within the blockbuster used a line of holy scripture.
In less than , that includes a star-studded forged including Cillian Murphy, Matt Damon, Robert Downey Jr, Florence Pugh, and Emily Blunt, lit the blue contact paper of controversy in India.
The Hollywood blockbuster has been accused of crossing sacred boundaries through the use of a line from a Hindu holy scripture throughout an intimate sex scene. The movie’s explosive debut in India left audiences divided, with some praising its brilliance whereas others fumed at its alleged blasphemy.
The biographical drama delves into the life of renowned US physicist Robert Oppenheimer, portrayed by the enigmatic Murphy. As the film opened to rave reviews in India, it struck a chord with the audience, raking in an impressive US$3 million in just two days on the box workplace. However, amidst the accolades, a particular scene featuring Oppenheimer and his lover, Jean Tatlock, played by Pugh, left the nation seething.
In the controversial sequence, Tatlock opens a duplicate of the Bhagavad Gita, a revered Hindu religious textual content, and requests Oppenheimer to learn from it. What followed was a shocker – Murphy’s character reads the line…
“Now I am turn out to be dying, the destroyer of worlds.”
It is a profound quote famously recalled by Oppenheimer in the course of the detonation of the primary nuclear bomb.
Uday Mahurkar, a senior official at the government’s Central Information Commission, condemned the movie in a letter addressed to the film’s director, Christopher Nolan. He said…
“This is a direct assault on spiritual beliefs of a billion tolerant Hindus.”
The sentiment echoed across social media platforms with hashtags corresponding to #BoycottOppenheimer and #RespectHinduCulture trending on Twitter.
The controversy spurred passionate reactions from the Hindu neighborhood, with many expressing anger and dismay at what they perceived as blatant disrespect. Harris Sultan, an writer, lamented that Hindus were left “angry and perplexed” by the film’s audacious depiction.
Adding gas to the fireplace, the distinguished right-wing Hindu group, Vishwa Hindu Parishad, claimed that the movie aimed to “launch an attack” on Hindu society and demanded the contentious scene be excised.
Spokesperson Vinod Bansal urged the makers of Oppenheimer to tender an apology to the Hindu neighborhood worldwide, whose sentiments they allege have been gravely wounded, Bangkok Post reported.
India’s population includes a majority of Hindus, but numerous non secular and cultural minorities, including Muslims, constitute important parts of society. Amidst the rising tide of religious intolerance, critics point fingers at the Hindu nationalist authorities of Prime Minister Narendra Modi, in power since 2014.
As the fiery debate rages on, Oppenheimer has become a lightning rod for discussions on the thin line between artistic expression and respect for religious sentiments. Will the controversy overshadow the movie’s triumphant reception, or will it eventually fizzle out, leaving behind the echoes of an impassioned conflict of opinions? Time will tell.

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